Stage
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Beyond Belief – The Life and Mission of John Hume, discussed
7th April 2023
Kieran Griffiths, the artistic director of the Playhouse, Derry, talks here abou...
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Alex Borovenskiy of ProEnglish Theatre of Ukraine, in conversation
10th March 2023
Alex Borovenskiy runs ProEnglishTheatre the English-speaking theatre in Kyiv, Uk...
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New Writing 2023, David Edgar – edited transcript
28th February 2023
DAVID EDGAR: “The thing that Britain is best at in the world, in the post-war ...
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New Writing, 2023 – David Eldridge, edited transcript
26th February 2023
In January 2023, I spoke to David Eldridge among other playwrights, as well as a...
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David Greig talks about writing Egyptians, a lost play by Aeschylus
22nd February 2023
An edited transcript of a conversation with David Greig about writing his follow...
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Bunker Cabaret – Ukrainian theatre from the civilian frontline
12th February 2023
“There was a feeling that people all around me turned from fear to ‘We w...
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Thatcherwrite script – True Blue (2013)
14th January 2023
TRUE BLUE, performed at Theatre503, Battersea, as part of the Thatcherwite seaso...
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UK-Ukraine: artistic collaborations during wartime
30th December 2022
Aileen Gonsalves, who founded Butterfly Theatre Company and is the creator of th...
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Appeal of Belarusian theatre representatives to the world cultural community
9th May 2021
Appeal of Belarusian theatre representatives to the world cultural community Rep...
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Dominic Cavendish is the lead theatre critic for The Daily Telegraph. He is the founding editor of the audio archive Theatrevoice
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